I have lived in disaster and disaster has lived in me. Our shared languages are thunder and reverberation.

When Nadia Owusu was two years old her mother abandoned her and her baby sister and fled from Tanzania back to the US. When she was thirteen her beloved Ghanaian father died of cancer. She and her sister were left alone, with a stepmother they didn't like, adrift.

Nadia Owusu is a woman of many languages, homelands and identities. She grew up in Rome, Dar-es-Salaam, Addis Ababa, Kumasi, Kampala and London. And for every new place there was a new language, a new identity and a new home. At times she has felt stateless, motherless and identity-less. At others, she has had multiple identities at war within her. It's no wonder she started to feel fault lines in her sense of self. It's no wonder that those fault lines eventually ruptured.

Aftershocks is the account of how she hauled herself out of the wreckage. It is the intimate story behind the news of immigration and division dominating contemporary politics. Nadia Owusu's astonishingly moving and incredibly timely memoir is a nuanced portrait of globalisation from the inside in a fractured world in crisis.

Nadia Owusu is a Brooklyn-based writer and urban planner. Her lyric essay chapbook, So Devilish a Fire, was a winner of The Atlas Review chapbook series and was published in 2019. Nadia grew up in Rome, Addis Ababa, Kampala, Dar es Salaam, Kumasi, and London. By day, she is the director of storytelling at Frontline Solutions, a black-owned consulting firm that helps social-change organizations to define goals, execute plans, and evaluate impact. Her writing has appeared or is forthcoming in the New York Times, the Washington Post's The Lily, Orion, the Literary Review, the Paris Review Daily, Catapult, Bon Appétit, and others.

She is a graduate of Pace University (BA), Hunter College (MS), and the Mountainview MFA program where she now teaches and where she won the Robert J. Begeibing Prize for exceptional work.